(this post also appeared on the Duck of Minerva)
This post is the first of our ‘Throwback Thursday” series, where we re-publish an earlier post on a topic that is currently in the news, or is receiving renewed attention or debate. This original post was published February 23rd 2013 (right before the Oscars) but the main arguments about the utility and rational behind torture expressed in the movie may be worth revisiting given the recent release of the CIA’s ‘torture report.’
“This is what winning looks like”
I have to confess, I was late to watch “Zero Dark Thirty” (ODT). I read a handful of reviews and blogs about the movie, had arguments with friends about its message, and even wrote it off completely–all weeks before I bothered to watch it. I wasn’t interested in watching another American war movie, nor was I keen to see the lengthy torture scenes I had read about in the reviews. I figured I already knew exactly what the content was (are there every any real surprises in American war movies? and, didn’t we all know how this story ended anyway?) and that there was really nothing left to say. BUT, I think there is something left to say about the film.
First, let’s all be honest: most of us walked away from this movie saying to ourselves “did I miss something?” What about the film deserved all the Oscar hype, debate, and acclaim? By most standards, this was a classic, boring American war movie. In this case, the lack of plot and acting skills are made up with using violent torture scenes rather than expensive battle scenes. There is no emotional journey, no big moral dilemma that the characters are going through (I’ll get to torture soon), little plot twist (again, we all know how it ends after all), and no unique or interesting characters (don’t get me started on Jessica Chastain–what exactly about her stone-faced performance warrants an Oscar? perhaps she deserves an award for for ‘most consistent blank expression’). So what gives? Is this just another “King’s Speech”? Meaning, is this just another big movie that people talk about and get behind, but no one actually can put their finger on what was remotely interesting about it (never mind what was destructive about it)?
So I’m calling it. Not only was this movie soul-less, boring and poorly made, everyone seemed to miss the message (and it is easy enough to do). The real question about ODT is not whether or not it is condoning torture. Continue reading Torture as War Victory: ‘Zero Dark Thirty’ and the torture reports